Literary propaganda was a company-wide preoccupation. D’Angelo had come to Pasternak’s dacha to ask for the novel. Feltrinelli was interested in a novel Pasternak was rumored to have penned. But he was visiting Pasternak on behalf of Feltrinelli, an Italian publisher. Primarily, he worked with Radio Moscow on Italian-language programming. They sat in the poet’s garden among the flowers and the fruit trees and talked about D’Angelo’s native Italy and the duties for the Italian Communist Party which brought him to Moscow. From Pasternak’s bright smile and enthusiastic handshake, D’Angelo could see it was a joy for him to receive visitors, especially ones from outside the Soviet Union who brought news of the world.

He was dressed comfortably to work in his garden, including a pair of Wellington boots. Pasternak was 66 years old but still spry. When he arrived at Pasternak’s dacha, a brown two-story house nestled among green birches and fir trees, D’Angelo found Pasternak waiting for him at the garden gate. He’d been translating classic works of literature, such as Shakespeare’s plays, into Russian instead since the 1940s.ĭ’Angelo hadn’t ventured from the city to pay homage, though-he had a proposition for Pasternak. But Pasternak’s original work hadn’t seen daylight in years the Soviet government didn’t possess quite the same warm feeling toward Pasternak as his fans, doubting his loyalty to the Communist Party, which controlled the publishing industry. He was there to meet the rock-star famous writer Boris Pasternak, whose poetry was so beloved that, if he paused during a reading, audiences would shout the missing words. In 1956, Sergio D’Angelo made a journey by train from Moscow southwest to the Soviet-made writers’ colony Peredelkino.

Doctor zhivago first edition